Showing posts with label guitar. Show all posts
Showing posts with label guitar. Show all posts

Sunday, December 6, 2015

We've All Got To Unify- Ta'kaiya Blaney -PARIS 2015



14-year old singer-songwriter Ta'kaiya Blaney, from the Tla'Amin First Nation in British Columbia, closes the Rights of Nature Tribunal in Paris, December 5, 2015, with a stirring song of hope and transformation.

Ta’Kaiya Blaney in Rio for the Earth Summit. Photo by Zack Embree.

Wednesday, June 22, 2011

To the people who stole my Les Paul (Ladner/Tsawwassen)


Blog post by Tina Winterlik © 2011

http://tinawinterlik.blogspot.com 

I saw this on my Facebook Newsfeed and I thought I would try and help. Let's see if we can get Maurice's very cherished one of kind to him guitar back.

http://vancouver.en.craigslist.ca/rds/msg/2449158332.html

To the people who stole my Les Paul (Ladner/Tsawwassen)


Date: 2011-06-21, 9:11AM PDT
Reply to: sale-quajk-2449158332@craigslist.org [Errors when replying to ads?]


To the people who stole most of my stuff out of my studio on June 5, including my main guitar of 43 years, let me tell you about it.

It's a very altered, but very real 1953 Gibson Les Paul Model - Serial # 3 0621 (stamped on the back of the headstock)

This is not a gold-top. In the 1950's, it was refitted with an ABR-1 bridge and stop tailpiece, and then refinished, all by Gibson. The green colour in the picture, (especially on the rear half of the body where the light reflection is less), is accurate. It's one of the lightest Gibson Les Pauls, and the only one of its' colour, that I've ever seen.

I've made many other changes to this guitar in favour of playability:
--changed the P-90's to humbuckers
--had the neck thinned and it, the back and the sides were refinished
--when it was refinished, the serial # was stamped in
--replaced worn out machine heads with gold Gibson ones
--added brass switch ring, jack plate, and rear cavity covers that were made for me by my now-deceased brother-in-law
--added a truss rod cover with "Les Paul" on it
--installed strap-locks (for obvious reasons)
--there will be traces of violin bow resin in and under various parts. It is the best guitar ever for bowing.

This is a one-of-a-kind instrument in so many ways. It is completely recognizable, down to every screw on it.

I've been in the music business all my life, and have a large list of friends and contacts. With the help of countless amazing people, many who I don't even know, http://web.me.com/outgolfing/Equipment (which details what you took) has been sent across Canada and around the world to more people - musicians, music stores, pawn shops, studios, rehearsal rooms, and other musically related businesses - than I ever imagined possible. It's been passed around since you broke in, and is continually going out to more people. In fact, I'd bet people reading this will pass the link on to others if they already haven't. This will continue unendingly until I find my guitars and other equipment. My green Les Paul is already one of the most recognizable instruments in Canada, I can guarantee you that.

Here's your scenario:
--No collector will want this instrument because it's not even close to original.
--No legitimate business will buy it from you.
--Any creep who would knowingly buy a stolen guitar will give you a pittance for it.
--If you keep it for yourself, you'll never be able to play anywhere with it, and it will tie you to the crime and to all of the other stolen equipment for as long as you have it.
--You didn't even take the case.

It's my most personal possession, and I have always planned for my son to have it one day. By the way, the other Mesa Boogie Dual Rectifier head you took was his.

It's not of much value to you, but to me, I can't buy another Les Paul like it because another one doesn't exist.. Here's a thought:

Have some decency and redeem some karma. Bring my guitar back. You've fucked my studio up and stolen a life-time collection of my shit. You stole my guitar rig, which was MY sound that I've spent years achieving.

You haven't ripped off a money making business. You've ripped off my life and my spirit immeasurably by taking away the tools of the pursuit of my passion. I've worked extremely hard for my whole life to earn my right to do so, and you took it all away in an hour or two. You've also ripped off my son, now, and in the future. I don't have the money to replace the gear, so it's just gone.

Just give it back - NO QUESTIONS ASKED. PLEASE

Maurice

Saturday, April 9, 2011

Macarldie & The Jazz All Stars


Blog post by Tina Winterlik © 2011

http://tinawinterlik.blogspot.com 

Macarldie and the Jazz Allstars fusing Jazz and Caribbean music 
Harold (ploomie)Lewis        Bass ands vocals
Mervyn Jackman                 Drums
Lavaun Rhodes                   Saxophones
Raul Hernandez                   Drums and Percussion
Loye Hawkins                    Vocals
Mzuri Moyo                       Vocals
Jus Cynthia                         Vocals
Macarldie & the Jazz All Stars

Macarldie Promo Video


Macarldie performs on Steel Drums, Piano, Keyboards, Guitar, and Vocals. He takes a style rooted in his native Tortola, Virgin Islands, lathers it with the polyphonic, polyrhythmic sound of Miami, and sautés it with keys, Saxophone, Guitars and Percussion creating powerful music that sounds like funky Senegalese bossa nova.

Singing Old Lady "At Last"


As a child growing up in Tortola, British Virgin Islands, Macarldie performed religious music with his Father and siblings.

Macarldie

His teenage years found him in nightclubs and hotels performing the Island standards and top 40 hits of America and the Caribbean.

After moving to the United States, he studied Jazz and Classical piano and Vocals at "Florida Atlantic University" and began performing throughout the states.

Macarldie on Piano

Macarldie is a Multi Instrumentalist and phenomenal Vocalist and performs live on Piano, Keyboards, Guitar, Steel Drums and Vocals. His vocal stylings are a fusion of Jazz, Caribbean and Pop blended with a touch of Rap and Poetry.

He has fused the sounds of all the music he enjoys into a coherent sound.

Macarldie has been a sideman with many musical greats including Ernest Wranglin, Othello Molyneaux, Chris Valdala and many more. He has toured with the "Natty Love Joys" and has opened for "Gregory Isaacs", "Chuck Mangione" and the late great "Dizzy Gillespie".

Macarldie has now formed the group Macarldie & the Jazz Allstars

Take The Train


Blue Bossa


"Angel Eyes" Jazz Piano

Macarldie jamming on the jazz standard "Angel Eyes" with two of his buddies; Ploomie and Brian Baudrit

E MAIL: MACARLDIE[at]EARTHLINK.NET

PHONES

305 891 3757
305 812 7377

Visit his Website
http://www.macarldie.com

Macarldie's Website

Friday, March 18, 2011

Donald Morin

One Night Only!!
Empire Ballroom
West Edmonton Mall, Edmtn AB






Indigenous Singer/Songwriter
Donald Morin


One Night Only!!
Empire Ballroom
West Edmonton Mall, Edmtn AB
Indigenous Singer/Songwriter Donald Morin will perform his music 4u

Sunday Night March 20th
After Midnight and B4 1 am
Monday Morning.

A presentation of Nouveau Talent Edmonton, Alberta



Donald has been introduced in various countries and cultural events as a shaman, storyteller, media artist, and educator

Donald Morin (aka Willy Frencheater)- works as an indigenous Music Artist, Modern Dancer/Actor, Radio producer- Film Director/Producer -Media Teacher/Workshop Instructor.


http://www.isuma.tv/dammedia
http://damorin.multiply.com/
http://spaces.msn.com/members/DAMaNDN4ME...
http://www.youtube.com/Willy2Frencheater
http://www.youtube.com/whenspiritswhispers
http://myspace.com/donaldmorin


http://www.facebook.com/donald.a.morin




http://www.youtube.com/watch?v=ESm7x0bZ7F8